Tonight I put the finishing touches on the internal restoration and modification of the Leslie 31H, with the completion of the lower motor reconfiguration scheme. It is now a proper two-speed cabinet, using classic two-speed motor stacks and not the—in my opinion, hacky—electronic two-speed conversion kits that are easier but don’t have the right speed and acceleration characteristics. See the video below for a demonstration. Cabinet cosmetic restoration to be completed.
Last week, my old friend and Boston’s hardest-working soprano Shannon Rose McAuliffe JetBlew into Tinseltown to lend her trained larynx to the digital wax of the All Ages Record (still as yet unnamed). Since the rest of the album will be performed by a bunch of “far out” ne’er-do-well rock and rollers on the hep “mod scene,” having a true classical musician on board adds a whole different dimension to the project that I could only otherwise dream of. It’s been a long time since I crapped out a Bach Invention at the West Tisbury Congregational Church. On one track, her voice serves as the counterpoint to that of coquettish crooner and known oaf Sean George, whom I’ve been writing and performing music with since before iPods.* His barrel-chested bellow contrasted with her lilting melisma is just a delight, if I do say. This record will have everything: insistent groove, cerebral weirdness, electric disco, folky-dolky sensibility, operatic moments, tender balladry.Continue reading “All Ages Record takes dose of high art, Tall Leslie makes recorded debut, also please stop sharing that “the bee is declared the most important creature” article”