At the risk of sounding like the dreaded involuntarily celibate teenage Nice Guy that blames his dearth of female prospects on the archetypal douchebag “Chad,” we always fall for the ones that hurt us.Continue reading “Leslie 51C restoration: For the love of an albatross”
Tonight I put the finishing touches on the internal restoration and modification of the Leslie 31H, with the completion of the lower motor reconfiguration scheme. It is now a proper two-speed cabinet, using classic two-speed motor stacks and not the—in my opinion, hacky—electronic two-speed conversion kits that are easier but don’t have the right speed and acceleration characteristics. See the video below for a demonstration. Cabinet cosmetic restoration to be completed.
Last week, my old friend and Boston’s hardest-working soprano Shannon Rose McAuliffe JetBlew into Tinseltown to lend her trained larynx to the digital wax of the All Ages Record (still as yet unnamed). Since the rest of the album will be performed by a bunch of “far out” ne’er-do-well rock and rollers on the hep “mod scene,” having a true classical musician on board adds a whole different dimension to the project that I could only otherwise dream of. It’s been a long time since I crapped out a Bach Invention at the West Tisbury Congregational Church. On one track, her voice serves as the counterpoint to that of coquettish crooner and known oaf Sean George, whom I’ve been writing and performing music with since before iPods.* His barrel-chested bellow contrasted with her lilting melisma is just a delight, if I do say. This record will have everything: insistent groove, cerebral weirdness, electric disco, folky-dolky sensibility, operatic moments, tender balladry.Continue reading “All Ages Record takes dose of high art, Tall Leslie makes recorded debut, also please stop sharing that “the bee is declared the most important creature” article”
After the amplifier rebuild/modifications, the trickiest part of the Leslie 31H project has been figuring out the most elegant way to reconfigure the rotors so that they’ll work with two-speed motor stacks. Here’s what I came up with.
Among the metric plethora of other crap I’m working on or involved with, I’ve been slowly, fitfully working on the grand Leslie 31H tallboy. I finally finished rebuilding the amplifier, but not without a couple of snags along the way. Thanks to the eminent wisdom of Trek II’s Michael Smokowicz, the final word on matters Hammond and Leslie, I got them sorted out and the cabinet is now producing its barrel-chested roar once again. See the video for an explanation. Next comes the mechanical and cosmetic side of things.
Further to the recent treatise on my descent into gooberdom, I brought home a supremely junked Hammond BC from a dusty field in Ojai for a song. It’s just about useless, but for its precious chorus generator that I will use in the restoration of another, chorus-generatorless BC. But will this donor generator even turn? I break out the widowmaker and give myself over to the whims of the goddess Fortune.
After years of having only Leslie 147s and their equivalents, the Leslie 31H “Tallboy” will soon join the ranks once its rebuild is complete. In preparation, I’m outfitting my organs with 122 as well as 147 hookups. The excitement is palpable.